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To take shape and meaning : form and design in contemporary American Indian art / by Fields, Nancy(Nancy Strickland),curator,writer of supplementary textual content.(CARDINAL)884602; Dougherty, Linda Johnson,1961-contributor.(CARDINAL)197486; Fadden, Stephen,1954-contributor.(CARDINAL)883949; Hillings, Valerie L.,writer of foreword.(CARDINAL)269983; Simpson, Rose Bean,contributor.(CARDINAL)899254; North Carolina Museum of Art,organizer,publisher,host institution.(CARDINAL)150432;
NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,"Organized by guest curator Nancy Strickland Fields (Lumbee), director/curator of the Museum of the Southeast American Indian at the University of North Carolina at Pembroke, the upcoming exhibition To Take Shape and Meaning: Form and Design in Contemporary American Indian Art features works by 75 Indigenous artists from over 50 tribes throughout the United States and Canada, including eight from North Carolina. To Take Shape and Meaning brings together a wide range of Indigenous world views, ideas, experiences, traditions, cultures, and media and emphasizes the continuity and evolution of Native arts, both collective and individual expressions of Native America. The exhibition, composed exclusively of 3-D artworks, includes baskets made of blown glass, cars transformed into works of art, and cutting-edge fashion ensembles embellished with elaborate beadwork and feathers. This project supports the NCMA's ongoing goal of presenting expansive and inclusive art historical narratives in all aspects of the Museum and of bringing in contemporary artists whose works focus on themes that are particularly relevant to the concerns of the current moment." -- From exhibition webpage:
Subjects: Exhibition catalogs.; Art, American; Art, Modern; Indigenous art; Indigenous art; Indigenous arts; Indigenous arts;
Available copies: 4 / Total copies: 5
On-line resources: Suggest this title for digitization;
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Here now : Indigenous arts of North America at the Denver Art Museum / by Denver Art Museum,issuing body.(CARDINAL)141497; Ash-Milby, Kathleen E.,contributor.(CARDINAL)687617; Billy, Susan,contributor.(CARDINAL)856155; Chapman, Jeffrey,1959-contributor.(CARDINAL)856158; Cocker, Jordan Poorman,contributor.; Ech-Hawk, Jasha Lyons,contributor.; Galanin, Nicholas,1979-contributor.; Harjo, Joy,contributor.(CARDINAL)159824; Heinrich, Christoph,writer of foreword.(CARDINAL)208686; Horse Capture, Joseph D.,contributor.(CARDINAL)854090; Hoska, Dakota,editor,writer of introduction.(CARDINAL)856124; Jade, Terrance,contributor.; Jones, Zachary R.(Zachary Ray),1979-contributor.; Lukavic, John,editor,writer of introduction.(CARDINAL)228172; Patrello, Christopher,editor,writer of introduction.(CARDINAL)856156; Scott, Sascha T.,contributor.(CARDINAL)352352; Simpson, Rose Bean,contributor.; Swan, Daniel C.,contributor.(CARDINAL)270704; Vorano, Norman David,1973-contributor.; Hirmer Verlag,publisher.(CARDINAL)853476;
Includes bibliographical references and index.Here, Now : Indigenous Arts of North America at the Denver Art Museum features two hundred of the museum's most notable Indigenous artworks. It reinterprets the collection and reveals new insights in the historic and contemporary work of Indigenous artists. Additional contributions by Indigenous authors reflect on the collection and current issues. --
Subjects: Catalogs.; Denver Art Museum; Art; Indian art; Indigenous art.;
Available copies: 1 / Total copies: 1
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Rose B. Simpson : strata / by Fellah, Nadiah Rivera,author.(CARDINAL)856132; Diaz, Natalie,contributor.(CARDINAL)399514; Griswold, William,writer of foreword.(CARDINAL)869954; Montiel, Anya,contributor.(CARDINAL)872456; Patterson, Karen,contributor.(CARDINAL)899253; Simpson, Rose Bean,artist.(CARDINAL)899254; White Hawk, Dyani,contributor.(CARDINAL)899252; Cleveland Museum of Art,host institution.(CARDINAL)137341;
Includes bibliographical references.
Subjects: Exhibition catalogs.; Simpson, Rose Bean.; Simpson, Rose Bean; Ceramic sculpture;
Available copies: 1 / Total copies: 1
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Seed / by Simpson, Rose Bean,artist.(CARDINAL)899254; Rapaport, Brooke Kamin,writer of introduction.(CARDINAL)208781; Montiel, Anya,writer of commentary.(CARDINAL)872456; Baker, Joe,1946-writer of commentary.(CARDINAL)899324; Madison Square Park Conservancy (New York, N.Y.),sponsor.(CARDINAL)784486;
Includes bibliographical references."This newly commissioned public art exhibition by Rose B. Simpson is on view simultaneously in Madison Square Park and Inwood Hill Park. Seed is part of the milestone twentieth anniversary of Madison Square Park Conservancy's art program and is the Conservancy's first collaboration with another New York City public park. Throughout the run of the exhibition, free public programs will be held with Simpson, artists, neighbors, and Native and area cultural leaders. Simpson and other artists of her generation are resetting long-entrenched art historical interpretation around the soaring capacity of figuration. Seed is a formidable platform for this reassessment. The artist creates sentinels in weathered steel and bronze that lead with angularity and durability; industrial bolts fasten masks forged in bronze to sections cut from ten-foot-long steel sheets. But there is implicit tension within: Simpson constructs planar compositions that at only three-quarters of an inch deep have an exquisite fragility, like that of a towering paper doll flattened over generations and held in place by a folded steel stand. She shapes symbolism in each sculpture, where the Native past is enduring and resonant. The sentinels seem to have an acute understanding of their role as contemporary figures"--Madison Square Park Conservancy website.
Subjects: Simpson, Rose Bean; Indian sculpture; Indian sculpture; Metal sculpture; Outdoor sculpture; Madison Square Park Conservancy (New York, N.Y.);
Available copies: 1 / Total copies: 1
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Rose B. Simpson : journeys of clay. by Simpson, Rose Bean,artist,contributor.; Sherman, Arden,author,curator.(CARDINAL)896385; Solares, Pamela,author.; Swentzell, Roxanne,1962-contributor.(CARDINAL)869478; Swentzell, Rina,contributor.(CARDINAL)205701; Tsosie-Peña, Beata,contributor.; Heise-Glass, Liz Rae,editor.; d'Humières, Ghislain,writer of foreword.(CARDINAL)895845; Norton Museum of Art,organizer,host museum,publisher.(CARDINAL)226442; RAW - Recognition of Art by Women (Exhibition)(9th :2024 :West Palm Beach, Fla.);
Indexed in the Native American Artists Resource Collection Online, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, Arizona, at the artist name level (May 13, 2024)"Rose B. Simpson is an artist, a mother, and the daughter of a matrilineal line of ceramicists and potters spanning nearly 70 generations. The exhibition presents a comprehensive survey of the last decade of Rose B. Simpson's artistic career. The show positions Simpson's work in the greater context of family and womanhood, exploring the relationships between the artist and her maternal relatives and their influences on her work. A member of the Santa Clara Pueblo (Tewa: Kha-'Po Owingeh) in New Mexico, Simpson combines her ancestral and contemporary knowledge to create mixed media sculptures using clay, organic found items, and mechanical hardware. Featured alongside Simpson's work will be sculptures by her mother, Roxanne Swentzell, a prolific artist whose expressive figures inspired Simpson; her grandmother, Rina Swentzell, who was a well-known academic, activist, and architect; and her great-grandmother, the artist Rose Naranjo, who was the center of gravity that connected Simpson's many talented and successful relatives."--Exhibition description from Norton Museum of Art.
Subjects: Exhibition catalogs.; Simpson, Rose Bean; Swentzell, Roxanne, 1962-; Swentzell, Rina; Naranjo, Rose, 1917-2004; Tewa pottery; Tewa pottery; Ceramic sculpture; Pueblo pottery;
Available copies: 0 / Total copies: 1
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