Search results for [Fuller, Jeffrey Scott.] at NC Cardinal

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Police report. by High Point Enterprise.;

Page: A4-3.

Subjects: Beard, Timothy Allen.; Ratley, Christian Lee.; Moyd, Lashawna.; Fuller, Jeffrey Scott.; Turner, Keiana.; Oham, James Harvey.; Thompson, Michelle Baker.;

Available copies: 1 / Total copies: 1

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Man killed in crash involving dirt bike. by High Point Enterprise.;

Page & column:A3-3.

Subjects: Brown, Derrick Lamont.; Yandle, Jay.; Fuller, Jeffrey Scott.; High Point (N.C.). Police Department.; Traffic accidents.;

Available copies: 1 / Total copies: 1

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Whatever you do... don't go outside. [videorecording] by Abrams, J. J.(Jeffrey Jacob),1966-film producer.(CARDINAL)535321; Blunt, Emily,actor.(CARDINAL)784786; Campbell, Josh,screenwriter.; Edgerton, Joel,1974-actor.(CARDINAL)552558; Evans, Chris,1981-actor.(CARDINAL)343584; Goodman, John,1952-actor.(CARDINAL)344847; Hartnett, Josh,1978-actor.(CARDINAL)431408; Jeong, Tae-sung,film producer.; Kaplan, David(David Alexander),film producer.; Krasinski, John,1979-screenwriter,film director,actor.(CARDINAL)549712; Niles, Steve,screenwriter.(CARDINAL)360258; Pong, Chun-ho,1969-film director,screenwriter.(CARDINAL)832633; Raimi, Sam,film producer.(CARDINAL)684285; Shults, Trey Edward,film director,screenwriter.; Slade, David,1969-film director.; Trachtenberg, Dan,film director.; Woods, Bryan,1984-screenwriter.(CARDINAL)793531; Binge Box (Firm),publisher.;

A quiet place / produced by Michael Bay, Andrew Form, Brad Fuller ; screenplay by Bryan Woods & Scott Beck and John Krasinski ; story by Bryan Woods & Scott Beck ; directed by John Krasinski (2018 : PG13 : 90 min.) -- 10 Cloverfield Lane / directed by Dan Trachtenberg ; screenplay by Josh Campbell & Matt Stuecken and Damien Chazelle ; produced by J.J. Abrams, Lindsey Weber (2016 : PG13 : 103 min.) -- It comes at night / written & directed by Trey Edwards Shults ; produced by David Kaplan, Andrea Roa (2017 : R : 92 min.) -- Snowpiercer / producers, Jeong Tae-Sung, Steven Nam ; produced by Park Chan-Wook, Lee Tae Hun ; screenplay by Bong Joon Ho and Kelly Masterson ; directed by Bong Joon Ho (2013 : R : 126 min.) -- 30 days of night produced by Sam Raimi, Rob Tapert ; screenplay by Steve Niles and Stuart Beattie and Brian Nelson ; directed by David Slade (2007 : R : 113 min.).10 Cloverfield Lane: John Goodman, Mary Elizabeth Winstead, John Gallagher Jr., Douglas M. Griffin, Suzanne Cryer.30 days of night: Josh Hartnett, Melissa George, Danny Huston, Ben Foster, Mark Boone Junior.A quiet place: Emily Blunt, John Krasinski, Noah Jupe, Millicent Simmonds, Cade Woodward.It comes at night: Joel Edgerton, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr., David Pendleton.Snowpiercer: Chris Evans, Song Kang Ho, Tilda Swinton, Jamie Bell, Octavia Spencer.10 Cloverfield Lane: A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday prepper, who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Uncertain what to believe, the woman soon determines that she must escape at any cost.30 days of night: "Barrow, Alaska: northernmost town in the U.S. Isolated in 80 miles of roadless wilderness, cut off every winter for 30 days of night." So says the opening screen. More importantly, the population dwindles from over 500 to 150 souls willing to brave the cold and the seemingly endless night. Charged with protecting the town during its nocturnal period, Sheriff Eben is a man trying to reconnect with his estranged wife Stella, who misses the last plane out before nightfall. As they deal with being thrust together again, a rash of crimes--including the killing of a number of dogs and the destruction of a helicopter--breaks out over the tiny town. As Eben and Stella attempt to solve these crimes, powerful strangers walk into town, seemingly superhuman and with a thirst for blood. The few remaining townsfolk must try to survive the 30 Days of Night.A quiet place: A powerful and evil force threatens to attack a family whenever they make a noise, causing them to plunge into lives of silence. Any move they make, they live with the terrifying threat of being ambushed at any moment. With their existence on the line, they will need to develop a plan to escape their perilous circumstances. The question is whether or not time has already run out on their aspirations to lead normal lives.It comes at night: Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.Snowpiercer: The film is set in the future (AD 2031) where, after a failed experiment to stop global warming, an ice age kills off all life on the planet except for the inhabitants of the Snowpiercer, a train that travels around the globe and is powered by a sacred perpetual-motion engine. Its inhabitants are divided by class; the lower-class passengers in one of the last cars stage an uprising, moving car by car up to the front of the train, where the oppressive rich and powerful live.DVD, wide screen.

Subjects: Feature films.; Horror films.; Science fiction films.; Disasters; Human-alien encounters; Kidnapping victims; Railroad trains; Vampires;

Available copies: 1 / Total copies: 2

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The unforgettables : expanding the history of American art / by Buick, Kirsten Pai,writer of introduction.(CARDINAL)313535; Eldredge, Charles C.,editor.(CARDINAL)148850;

Includes bibliographical references and index."In the past, histories of American art have traditionally highlighted the work of a familiar roster of artists, often white and male. Over time the achievements of others worthy of attention, including numerous women and artists of color, as well as white men, have gone uncelebrated and fallen into obscurity. In this collection of essays, sixty-three scholars from various institutions, specialties, and locales respond to the challenge to nominate one maker deserving remembrance and detail the reasons for their choice. The collection is headed by a preface from editor Charles C. Eldredge, explaining the genesis of the anthology, and an introduction by Dr. Kirsten Pai Buick, promoting the value of recovered reputations and oeuvres in the training of future art experts and audiences"--

Subjects: African American artists; Art, American.; Artists; Women artists;

Available copies: 1 / Total copies: 1

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Black American portraits : from the Los Angeles County Museum of Art / by Los Angeles County Museum of Art,host institution,publisher.(CARDINAL)137901; Als, Hilton,contributor.(CARDINAL)226553; Andrews, Myrtle Elizabeth,editor,contributor.(CARDINAL)880335; Cooks, Bridget R.,1972-contributor.(CARDINAL)782750; Fort, Ilene Susan,contributor.(CARDINAL)191017; Keith, Naima J.,contributor.(CARDINAL)856131; Kim, Christine Y.,editor,contributor.(CARDINAL)270445; Lawson, Dhyandra,contributor.(CARDINAL)880204; Stewart, Jeffrey C.,1950-contributor.(CARDINAL)726790; DelMonico Books,publisher.(CARDINAL)870896; Distributed Art Publishers,publisher.(CARDINAL)784868; Memphis Brooks Museum of Art,host institution.(CARDINAL)172079; Spelman College.Museum of Fine Art,host institution.(CARDINAL)274172;

Includes bibliographical references.Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter. Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects. Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022).

Subjects: Catalogs.; Exhibition catalogs.; Portraits.; Los Angeles County Museum of Art; African Americans in art; African Americans; Art, American; Art; Portrait photography;

Available copies: 1 / Total copies: 1

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African-American art : a visual and cultural history / by Farrington, Lisa E.,author.(CARDINAL)272314;

Includes bibliographical references and index.1. The art of perception: how art communicates : The primary source -- How to look at art: a case study : Iconography ; Formalism ; Biography ; Semiotics ; Psychoanalysis ; Contextual analyses -- Part I: Eighteenth and nineteenth century art : 2. Art and design in the colonial era : Africanisms in the New World : Architecture ; Sculptural art forms -- Fine arts in the age of slavery -- 3. Federal-period architecture and design : Architecture : Charles Paquet -- Woodwork : Early masters -- Federal-era craftsmen -- Civil War-era craftsmen : Thomas Day ; Henry Gudgell -- Ceramics : "Dave the potter" (David Drake) ; Thomas Commeraw -- Metalwork : Peter Bentzon -- Textile and clothing design : Early quilt making and makers ; Harriet Powers ; Elizabeth Hobbs Keckley -- 4. 19th-century Neoclassicism : Sculpture : Edmonia Lewis ; Florville Foy ; Daniel and Eugene Warburg -- Two-dimensional art : Joshua Johnson ; William Simpson ; Julien Hudson ; African-American women artists and friendship albums ; Jules Lion ; Patrick Henry Reason -- 5. Romanticism to Impressionism in the nineteenth century : The landscape tradition : Robert S. Duncanson ; Grafton Tyler Brown ; Edward Mitchell Bannister -- Portraiture and figurative art : David Bustill Bowser ; Nelson A. Primus ; Henry O. Tanner ; Annie E. Anderson Walker ; Photography ; James Presley Ball, Sr.. ; Augustus Washington ; Glenalvin, Wallace, and William Goodridge -- Architecture of the gilded age : Calvin Thomas Stowe Brent ; John Anderson and Arthur Edward Lankford ; George Washington Foster, Jr. ; Julian Francis Abele -- Black vernacular architecture -- Part II: Early to mid-20th century art : Modernism and the Harlem Renaissance : The making of Harlem : The great migration ; "Harlem: mecca of the new Negro" -- Supporting the renaissance: art patrons : Private and institutional patronage ; Black patronage -- Sculpture : Meta Vaux Warrick Fuller ; May Howard Jackson ; Sargent Claude Johnson ; Nancy Elizabeth Prophet ; Richmond Barthé -- Painting : William Edouard Scott ; Palmer Hayden ; Archibald Motley, Jr. ; Malvin Gray Johnson ; Aaron Douglas ; William H. Johnson ; Lois Mailou Jones -- Photography and printmaking : James Van Der Zee ; James Latimer Allen ; James Lesesne Wells ; King Daniel Ganaway ; Other African-American photographers -- 7. Social realism : The WPA Federal Art Project -- Social realist murals : Charles Alston and the Harlem Hospital murals ; Hale Woodruff and the Golden State murals -- Avant-garde architecture -- Augusta Savage, the Harlem Art Centers, and the Harlem Artists Guild : Selma Hortense Burke -- The Chicago Arts and Crafts Guild, Artists Union, and South Side Community Art Center : Margaret Burroughs ; Charles White -- Printmaking : Dox Thrash and the Philadelphia Fine Prints Workshop ; The printmaking legacy of Riva Helfond ; Printmakers at Karamu House in Cleveland -- 8. Mid-twentieth century transitions and surrealism : Figuration versus abstraction: a national debate -- The legacy of social realism : Elizabeth Catlett ; Ellis Wilson ; Romare Bearden ; Jacob Lawrence ; Gwendolyn Knight Lawrence ; John Biggers -- Surrealism : Hughie Lee-Smith ; Eldzier Cortor ; Rose Ransier Piper ; Minnie Evans -- Art Brut and self-taught artists : Bill (William) Traylor ; William Edmondson ; Clementine Hunter ; Horace Pippin, Jr. -- Photography : Gordon Parks ; Roy DeCarava ; Charles (Chuck) Stewart -- 9. Abstract expressionism : Action painting, gestural abstraction : Beauford Delaney ; Norman Lewis ; Alma Thomas -- Color field painting : Sam Gilliam ; Richard Mayhew -- Hard-edge painting : Al Loving ; William T. Williams -- Figurative expressionism : Robert (Bob) L. Thompson ; Betty Blayton -- Sculpture : Harold Cousins ; Richard Hunt ; Melvin (Mel) Eugene Edwards, Jr. ; Barbara Chase-Riboud --Part III: The latter 20th century : 10. Pop and Agitprop: the Black arts movement : Spiral and the civil rights movement : Reginald Gammon ; Raymond Saunders -- The Black arts movement : Museum protests ; Benny Andrews ; Cliff Joseph -- The WEUSI aesthetic : Ademola Olugebefola ; Ben F. Jones ; James Phillips -- OBAC and the Wall of Respect -- AfriCOBRA and the Black aesthetic : Jeffrey Donaldson ; Wadsworth and Jae Jarrell ; Barbara Jones-Hogu ; Nelson Stevens -- The OBAC and AfriCOBRA legacy: Black Power murals : William Walker ; Calvin B. Jones and Mitchell Caton -- Agiprop art : Dana C. Chandler, Jr. ; Joe Overstreet ; David Hammons -- 11. Black feminist art: a crisis of race and sex : A crisis of race and sex -- WSABAL and the WWA -- Black feminist artists : Kay Brown ; Faith Ringgold ; Dindga F. McCannon ; Betye Saar ; Emma Amos ; Nellie Mae Rowe -- Black feminist murals : Vanita Green and Justine Preshé DeVan ; Sharon Haggins Dunn -- 12. Postmodernism : Post-minimalism : Fred Eversley ; Lorenzo Pace ; Martin Puryear -- Conceptual art : Howardena Pindell ; Pat Ward Williams ; Glenn Ligon -- Intermedia art : Houston Conwill ; Terry Adkins ; Lorraine O'Grady ; Adrian Piper ; Renée Green ; Fred Wilson ; Martha Jackson-Jarvis -- Assemblage art : Noah Purifoy ; John Outterbridge ; Aminah Brenda Lynn Robinson ; Alison Saar ; Willie Cole -- Postmodern photography : Carrie Mae Weems ; Dawoud Bey ; Lyle Ashton Harris ; Lorna Simpson -- Part IV: Contemporary trends : 13. Neo-expressionism, the new abstraction, and architecture : Neo-expressionism : Robert Colescott ; Joyce J. Scott ; Michael Ray Charles ; Kara Walker ; Kerry James Marshall ; Jean-Michel Basquiat ; Danny Simmons, Jr. -- The new abstraction : Jack Whitten ; Thornton Dial, Sr. ; Mildred Thompson ; Gaye Ellington -- Architecture : J. Max Bond, Jr. ; Norma Merrick Sklarek ; Mario Gooden and Ray Huff ; Phil Freelon ; The McKissack legacy ; Other notable architects -- 14. Post-Black art and the new millennium : Portraiture and identity politics : Deborah Willis ; Jeff Sonhouse ; Mickalene Thomas ; Kehinde Wiley -- Afrofuturism : Renée Cox ; Ellen Gallagher ; Laylah Ali ; Sanford Biggers ; Xaviera Simmons ; Trenton Doyle Hancock -- New millennium performance art : Nick Cave ; Camille Norment ; Intervention art : William Pope.L ; Theaster Gates -- New media abstraction : Chakaia Booker ; Xenobia Bailey ; Mark Bradford ; Jennie C. Jones ; Shinique Smith.African-American Art: A Visual and Cultural History offers a current and comprehensive history that contextualizes black artists within the framework of American art as a whole. The first chronological survey covering all art forms from colonial times to the present to publish in over a decade, it explores issues of racial identity and representation in artistic expression, while also emphasizing aesthetics and visual analysis to help students develop an understanding and appreciation of African-American art that is informed but not entirely defined by racial identity. Through a carefully selected collection of creative works and accompanying analyses, the text also addresses crucial gaps in the scholarly literature, incorporating women artists from the beginning and including coverage of photography, crafts, and architecture in the nineteenth and twentieth centuries as well as twenty-first century developments. All in all, African American Art: A Visual and Cultural History offers a fresh and compelling look at the great variety of artistic expression found in the African-American community.

Subjects: Textbooks.; African American art; African American artists;

Available copies: 0 / Total copies: 1

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Hippie modernism : the struggle for utopia / by Blauvelt, Andrew,1964-editor,author.(CARDINAL)267824; Walker Art Center,originatoranizer,host institution.(CARDINAL)150439; Cranbrook Art Museum,host institution.(CARDINAL)267764; Berkeley Art Museum and Pacific Film Archive,host institution.(CARDINAL)220160;

Foreword/Olga Viso -- Acknowledgments/Andrew Blauvelt -- Preface/Andrew Blauvelt -- Essays -- The Barricade and the Dance Floor: Aesthetic Radicalism and the Counterculture/Andrew Blauvelt -- Atmospheres of Institutional Critique: Haus-Rucker-Co's Pnematic Temporality/Esther Choi -- Agency and Urgency:The Medium and Its Message/Lorraine Wild and David Karwan -- From East to West and Back Again: Utopianism in Italian Radical Design/Catherine Rossi -- Buckminster Fuller's Reindeer Abattoir and Other Designs for the Real World/Alison J. Clarke -- It's Not Easy Being "Free"/Craig J. Peariso -- Counterculture Terroir:California's Hippie Enterprise Zone/Greg Castillo -- Networks and Apparatuses, circa 1971: Or, Hippies Meet Computers/Felicity D. Scott -- Mandalas or Raised Fists? Hippie Holism, Panther Totality, and Another Modernism/Simon Sadler -- How Cybernetics Connects Computing, Counterculture, and Design/Hugh Dubberly and Paul Pangaro -- Radical Bodies/Ross K. Elfline -- Works -- Section I: Turn On -- Section II: Tune In -- Section III: Drop Out -- Advertisements for a Counter Culture -- Interviews -- Enter the Matrix: An Interview with Ken Isaacs/Susan Snodgrass -- Toward a Stroboscopic History: An Interview with Gerd Stern of USCO/Tina Rivers Ryan -- Domes, Droppers, and The Ultimate Painting: An Interview with Clark Richert and Richard Kallweit/Adam Gildar -- On Covers, Connections, and Criticality: An Interview with Günter Zamp Kelp of Haus-Rucker-Co/Esther Choi -- Stirring the Intermix: An Interview with Tony Martin/Liz Glass -- Unspeakable Signs: An Interview with Woodson ("Woody") Rainy and Ron Williams of ONYX/Esther Choi -- Blueprint for Counter Education: An Interview with Maurice Stein, Larry Miller, and Marshall Henrichs/Jeffrey T. Schnapp -- "One, Two: A Hundred, a Thousand Global Tools": An Interview with Franco Raggi/Andrew Blauvelt -- Etc. -- Exhibition Checklist -- Reproduction Credits -- Catalogue Contributors -- Index.Includes bibliographical references (pages 439-440) and index.Hippie Modernism: The Struggle for Utopia accompanies an exhibition of the same title examining the art, architecture and design of the counter-culture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal and professional norms while proposing new kinds of technological, ecological and political utopia. It includes the counter design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus Rucker Co and ONYX; the media-based installations of Ken Isaacs, Joan Hills and Mark Boyle and Helio Oiticica and Neville DAlmeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances staged by the Diggers and the Cockettes; publications such as Oz Magazine and The Whole Earth Catalog and books by Marshall McLuhan and Buckminster Fuller; and much, much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the experimental graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus Rucker Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the hybrid conjunction of the countercultural ethos and the modernist desire to fuse art and life.

Subjects: Exhibition catalogs.; Modernism (Art); Arts, Modern; Counterculture; Arts and society;

Available copies: 1 / Total copies: 1

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