Search results for [Hopkins, Candice,contributor.] at NC Cardinal

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Mark : Sonya Kelliher-Combs / by Kelliher-Combs, Sonya,1969-artist.(CARDINAL)899603; Decker, Julie,editor,contributor(CARDINAL)266530; Igloliorte, Heather L.,contributor.(CARDINAL)899604; Phipps, Laura,contributor.(CARDINAL)872743; Lukin Linklater, Tanya,contributor.(CARDINAL)899605; Hopkins, Candice,contributor.(CARDINAL)357448; Partridge, Taqralik,contributor.(CARDINAL)899606; Anchorage Museum at Rasmuson Center,publisher,host institution.(CARDINAL)327975; Hirmer Verlag,publisher.(CARDINAL)853476;

Includes bibliographical references.Indexed in the Native American Artists Resource Collection Online, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, Arizona, at the artist name level (October 23, 2024)"Artist Sonya Kelliher-Combs creates works embedded in cultural values and knowledge. Mark speaks to Alaska, colonization, and the resilience and sovereignty of Indigenous people. Land is at the center of the work,, with materials derived from subsistence, marked by experience, historical tragedies and traumas, human and non-human agents, and self. The work honors what is harvested, respects what the natural world provides, and celebrates family and community."-- Back cover.

Subjects: Exhibition catalogs.; Kelliher-Combs, Sonya, 1969-; Mixed media (Art); Mixed media (Art); Inupiat art; Inupiat art; Athapascan art; Athapascan art;

Available copies: 1 / Total copies: 1

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Art for a new understanding : Native voices, 1950s to now / by Besaw, Mindy N.,author.(CARDINAL)855564; Ahtone, Heather,contributor.(CARDINAL)855584; D'Souza, Aruna,contributor.(CARDINAL)354004; Hill, Richard William,1967-contributor.(CARDINAL)855563; Hopkins, Candice,author.(CARDINAL)357448; Horton, Jessica L.,contributor.(CARDINAL)854089; Jones, Amelia,contributor.(CARDINAL)207029; Smith, Paul Chaat,contributor.(CARDINAL)226577; Well-Off-Man, Manuela,author.(CARDINAL)855585; Crystal Bridges Museum of American Art,publisher,host institution.(CARDINAL)313843; University of Arkansas Press,publisher.(CARDINAL)836375;

Includes bibliographical references (pages 194-196) and index.Catalog artists: Lloyd Kiva New -- George Morrison -- Oscar Howe -- Fritz Scholder -- Daphne Odjig -- T.C. Cannon -- Kay WalkingStick -- Norval Morrisseau -- Spiderwoman Theater -- Hock E Aye Vi Edgar Heap of Birds -- James Luna -- Edward Poitras -- Jolene Rickard -- Carl Beam -- Lawrence Paul Yuxweluptun -- Anita Fields -- Norman Akers -- Brian Jungen -- Isuma and Zacharias Kunuk -- Jaune Quick-to-See Smith -- Rebecca Belmore -- Anna Tsouhlarakis -- Steven Yazzie -- Melissa Cody -- Sonya Kelliher-Combs -- Nicholas Galanin -- Shan Goshorn -- Kent Monkman -- Andrea Carlson -- Virgil Ortiz -- James Lavadour -- Walter Scott -- Dana Claxton -- Olivia Whetung -- Jeffrey Gibson -- Cannupa Hanska Luger -- Athena LaTocha -- Tanya Lukin Linklater -- Marie Watt -- Holly Wilson -- Yatika Starr Fields."Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This accompanying book documents and expands on the histories and themes of this exciting exhibition. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings--from the 1950s onward--by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large." -- Publisher's description

Subjects: Exhibition catalogs.; Art, American; Art, American; Exhibition catalogs.; Indian art; Indian art; Indians of North America;

Available copies: 0 / Total copies: 1

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Jaune Quick-to-See Smith : memory map / by Smith, Jaune Quick-to-See,1940-artist,interviewee,contributor.(CARDINAL)285378; Ambrose-Smith, Neal,1966-contributor.(CARDINAL)856152; Carlson, Andrea,contributor.(CARDINAL)873192; Cornum, Lou,contributor.; Harris, Alicia L.,contributor.(CARDINAL)873670; Hill, Richard William,1967-contributor.(CARDINAL)855563; Hopkins, Candice,contributor.(CARDINAL)357448; Lopez, Josie,contributor.(CARDINAL)872329; Marroquin Norby, Patricia,contributor.; McNeil, Larry,1950-contributor.(CARDINAL)875099; Nez, Larissa,contributor.; Phipps, Laura,author.(CARDINAL)872743; Sims, Lowery Stokes,interviewer,contributor.(CARDINAL)179592; Tremblay, Gail,contributor.(CARDINAL)871805; Weinberg, Adam D.,writer of foreword.(CARDINAL)172857; Woody, Elizabeth,1959-contributor.(CARDINAL)853943; Modern Art Museum of Fort Worth,host institution.(CARDINAL)195607; Seattle Art Museum,host institution.(CARDINAL)121207; Whitney Museum of American Art,publisher,organizer,host institution.(CARDINAL)139816; Yale University Press,distributor.(CARDINAL)332061;

Includes bibliographical references and index."Companion to a major traveling retrospective, this overdue publication celebrates the groundbreaking work of Jaune Quick-to-See Smith and examines how she has fused Indigenous artistic traditions with elements of postwar European and American art in her drawings, prints, paintings, and sculptures"--"Jaune Quick-to-See Smith (An enrolled Salish, The Salish and Kootenai Nation, MT) I am a cultural arts worker because I, not only, paint, do printmaking, some sculpture, draw, make collage, do public art, but I am also an independent teacher/professor and activist. I lecture, teach printmaking workshops, jury, curate, write and organize exhibitions for the Native community. In my work I use humor and satire to present narratives on ethical treatment of animals, humans and our planet. My work is philosophically centered by my strong traditional Salish beliefs." -- Statement and full biography found at

Subjects: Exhibition catalogs.; Interviews.; Smith, Jaune Quick-to-See, 1940-; Smith, Jaune Quick-to-See, 1940-; Art, Modern; Art, Modern; Indian art; Indian art; Indian arts; Indian arts; Indigenous art; Indigenous art; Indigenous arts; Indigenous arts; Painting, Modern; Painting, Modern;

Available copies: 1 / Total copies: 1

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Whitney Biennial 2022 : quiet as it's kept / by Whitney Biennial(2022 :New York, N.Y.),issuing body.; Alvarado, Lisa,1982-artist.(CARDINAL)856638; Ancart, Harold,1980-artist.(CARDINAL)856637; Arreola, Mónica,1976-artist.(CARDINAL)856636; Baroja, Gabriel Almeida,organizer.(CARDINAL)856634; Breslin, David,curator,organizer,contributor.(CARDINAL)300081; Chambers-Letson, Joshua Takano,contributor.(CARDINAL)855515; Edwards, Adrienne(Art critic),contributor.(CARDINAL)782756; Edwards, Adrienne(Art critic),curator,organizer,contributor.(CARDINAL)782756; Everett, Percival,contributor.(CARDINAL)343923; Hopkins, Candice,contributor.(CARDINAL)357448; Jackson, Zakiyyah Iman,contributor.(CARDINAL)856618; Kross, Margaret,organizer.(CARDINAL)856617; Lerner, Ben,1979-contributor.(CARDINAL)466743; Venegas, Jovanna,contributor.; Weinberg, Adam D.,writer of foreword.(CARDINAL)172857; White, Simone,1972-contributor.(CARDINAL)856604; Yun, So-yŏng,1965-contributor.(CARDINAL)863391; Whitney Museum of American Art,publisher,host institution.(CARDINAL)139816;

Includes bibliographical references.This landmark volume accompanies the 2022 Whitney Biennial. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States. --"Whitney Biennial 2022, quiet as it's kept" : April 6-September 5, 2022, Whitney Museum of American Art, New York, New York, United States.

Subjects: Essays.; Exhibition catalogs.; Illustrated works.; Whitney Museum of American Art; Whitney Biennial (2022 : New York, N.Y.); Art, American; Art, Modern;

Available copies: 1 / Total copies: 1

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Saturation : race, art, and the circulation of value / by Tourmaline,contributor.; Alsultany, Evelyn,contributor.; Antwi, Phanuel,contributor.; Brielmaier, Isolde,1971-contributor.; Burton, Johanna,writer of preface.; Chambers-Letson, Joshua Takano,contributor.; Chuh, Kandice,1968-contributor.; Cobb, Jasmine Nichole,contributor.; Cox, Aimee Meredith,1971-contributor.; Fung, Richard,contributor.; Gibson, Jeffrey,1972-contributor.; Giraud, Tiyé,contributor.; Gonzalez, Anita,contributor.; Gopinath, Gayatri,1969-contributor.; Haley, Sarah,contributor.; Hamraie, Aimi,contributor.; Hopkins, Candice,contributor.; Houston-Jones, Ishmael,contributor.; Ibarra, Xandra,contributor.; Johnson, Jasmine,contributor.; Khoshgozaran, Gelare,contributor.; Kim, Byron,contributor.; King, Homay,1972-contributor.; Kuppers, Petra,contributor.; Kwon, Marci,contributor.; Lê, Việt,contributor.; Lamar, M.,contributor.; Lax, Thomas J.,contributor.; Lemon, Ralph,contributor.; Lin, Candice,contributor.; Lowe, Lisa,contributor.; Madison, D. Soyini,contributor.; Montez, Ricardo,1975-contributor.; Murray, Derek Conrad,contributor.; Musser, Amber Jamilla,contributor.; O'Grady, Lorraine,contributor.; Ochieng' Nyongó, Tavia Amolo,contributor.; Pérez, Roy,contributor.; Phillips, Lisa,1954-writer of foreword.; Prosser, Jay,contributor.; Ramos, Iván A.,contributor.; Rifkin, Mark,1974-contributor.; Robinson, Dylan,contributor.; Sandahl, Carrie,1968-contributor.; Schulman, Sarah,1958-contributor.; Silva, Denise Ferreira da,contributor.; Snorton, C. Riley,editor,contributor.; Spillers, Hortense J.,contributor.; Takemoto, T. T.,contributor.; Vazquez, Alexandra T.,1976-contributor.; Yapp, Hentyle,1980-editor,contributor.; MIT Press,publisher.;

Includes bibliographical references and index."The art world is white. In this volume, contributors from different disciplines and backgrounds discuss race, diversity, and inclusion through the lens of "saturation," in art and across institutions written large. The concept of saturation stems from color theory-for Isaac Newton, the centrality of the color white to his visual theory parallels an understanding of race as its periphery in Western thought. From visual saturation to oversaturation of the bodies of minorities as they have to navigate and exist within institutions, this volume employs saturation as a rubric to ask different questions and to push us to demand more from the ways institutions normatively function and how race has come to be imagined and understood. The essays and conversations are the result of a shared curiosity over why changes in representational practices (some at very early stages of saturation and others leading to oversaturation) have not led to any substantive structural change. Much of this book contends with political economy and racial capital to help grapple with institutional critique. Because of the need to center these questions in time and space, the book is organized in two major sections: 1) The Saturation of Institutional Life: Race, Globality, and the Art Market; and 2) Methods of Racial Matter and Saturation Points. This is the forth volume in the New Museum Critical Anthologies in Art and Culture series. It includes Sarah Haley's essay on the relationship between carceral landscapes and the gendered dimensions of racial capitalism, a conversation between philosophers Denise Ferreira da Silva and Phanuel Antwi moderated by coeditor C. Riley Snorton, about modes for thinking race transnationally and in terms of structures-material, poetic, and affective. In artist Candice Lin's chapter on aesthetics of colonization, she discusses how histories of colonial violence inform her artistic practice. Sarah Schulman highlights the dynamics of navigating the publishing industry as it relates to areas considered "niche" like sexuality, race, and gender. Performance and movement theorist Jasmine Elizabeth Johnson examines the corporeal, visual, and institutional structures that delimit the legibility of the black body, and artist Byron Kim contemplates his practices and methods as they relate to formalism that simultaneously is and is not "about" race"--

Subjects: Art and race.; Art and society.;

Available copies: 1 / Total copies: 1

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An Indigenous present / by Gibson, Jeffrey,1972-editor,writer of introduction,interviewer.(CARDINAL)855529; Porter, Jenelle,editor.(CARDINAL)784098; Kahil, Adam,contributor.; Kahil, Zach,contributor.; Twist, Arielle,1994-contributor.(CARDINAL)873759; Deloria, Philip Joseph,contributor.(CARDINAL)276996; Long Soldier, Layli,contributor.(CARDINAL)564437; Hopkins, Candice,interviewee.(CARDINAL)357448; Kite, Suzanne,1990-contributor.(CARDINAL)857834; Martineau, Jarrett,1977-contributor.(CARDINAL)887336; Smith, Jaune Quick-to-See,1940-interviewee.(CARDINAL)285378; BIG NDN Press,publisher.; DelMonico Books,publisher.(CARDINAL)870896;

Includes bibliographical references and index."This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories" --

Subjects: Illustrated works.; Interviews.; Indigenous art; Indigenous peoples; Indigenous peoples in art.; Indian art; Avant-garde (Aesthetics);

Available copies: 1 / Total copies: 1

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Àbadakone / by Dickenson, Rachelle,1976-curator,editor,writer of commentary.(CARDINAL)835929; Hill, Greg A.,1967-curator,editor,writer of commentary.(CARDINAL)357449; Lalonde, Christine,1965-curator,editor,writer of commentary.(CARDINAL)357447; National Gallery of Canada,issuing body,host institution.(CARDINAL)140431;

"Extended until October 4, 2020 A resounding success since opening in November 2019, this popular exhibition of contemporary Indigenous art has been extended until October 4 at the National Gallery of Canada. Àbadakone features work by more than 70 contemporary Indigenous artists identifying with almost 40 Indigenous nations, ethnicities and tribal affiliations from 16 countries, including Canada. Building upon themes of continuity, activation, and relatedness, Àbadakone explores the creativity, concerns and vitality of Indigenous art from virtually every continent. The exhibition was led by National Gallery of Canada curators Greg A. Hill, Christine Lalonde and Rachelle Dickenson, with consulted curators Candice Hopkins, Ariel Smith and Carla Taunton, as well as a team of advisors from around the globe. Experience this compelling exhibition for the first time -- or see it again -- as Àbadakone taps into the global pulse of Indigenous artistic production."--Publisher's description.Includes bibliographical references (pages 267-269).

Subjects: Exhibition catalogs.; Indigenous art; Indian art; Indian art; Inuit art;

Available copies: 0 / Total copies: 1

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