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Alice Neel : people come first / by Neel, Alice,1900-1984,artist.(CARDINAL)128228; Baum, Kelly,curator.(CARDINAL)285298; Brown, Meredith A.,contributor.(CARDINAL)357515; Bryan-Wilson, Julia,contributor.(CARDINAL)856457; Griffey, Randall R.,curator.(CARDINAL)339747; Temkin, Susanna V.,contributor.(CARDINAL)853936; M.H. de Young Memorial Museum,host institution.(CARDINAL)152527; Metropolitan Museum of Art (New York, N.Y.),host institution.(CARDINAL)147619; Museo Guggenheim Bilbao,host institution.(CARDINAL)209544;
Includes bibliographical references and index.Alice Neel's (1900-1984) uncompromising artistic vision and deep engagement with humanity in both art and politics have earned her legions of admirers. This beautifully designed and illustrated book surveys the artist's nearly 70-year career, focusing on her long residency in New York, a place that provided her with lifelong inspiration. In addition to her compelling portraits of individuals of all ages, both famous and unknown, 'Alice Neel: People Come First' also considers her remarkable nudes, still lifes, cityscapes, and erotic pastels and watercolors--all considered through the lens of radical humanism that informed so much of the artist's work. Leading scholars delve into various aspects of Neel's practice, revealing that humanism was both a political and philosophical ideal for the artist. The authors address Neel's paintings of LGBTQ subjects; her unique aesthetic language, which merged elements of abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The book's essays also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
Subjects: Exhibition catalogs.; Illustrated works.; Neel, Alice, 1900-1984; Painting, American; Portrait painting, American;
Available copies: 3 / Total copies: 3
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Wendy Red Star : delegation / by Red Star, Wendy,1981-artist.(CARDINAL)855870; Amirkhani, Jordan,contributor.(CARDINAL)856569; Bryan-Wilson, Julia,contributor.(CARDINAL)856457; Franco, Josh T.,contributor.(CARDINAL)856568; Johnson, Annika K.,contributor.(CARDINAL)856567; Long Soldier, Layli,contributor.(CARDINAL)564437; Midge, Tiffany,1965-contributor.(CARDINAL)387653; Aperture Foundation,publisher.(CARDINAL)195492;
"Delegation' is the first comprehensive monograph by Aps̀alooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star's lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist's singular vision. Co-published by Aperture and Documentary Arts" --Book cover
Subjects: Catalogues raisonnés.; Red Star, Wendy, 1981-; Collage, American; Indians in art; Indians in popular culture; Photography, Artistic.; Self-portraits, American;
Available copies: 1 / Total copies: 1
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Pacita Abad / by Abad, Pacita,artist.(CARDINAL)871919; Abad, Pio,1983-contributor.(CARDINAL)874721; Bryan-Wilson, Julia,contributor.(CARDINAL)856457; Katrib, Ruba,contributor.(CARDINAL)873043; Lim, Nancy(Curatorial assistant),contributor.(CARDINAL)817895; Mary Ceruti,writer of foreword.; Miranda, Matthew Villar,contributor.(CARDINAL)874726; Sung, Victoria,1987-editor,contributor.(CARDINAL)784203; Weng, Xiaoyu,contributor.(CARDINAL)873649; Art Gallery of Ontario,publisher.(CARDINAL)159580; Museum of Modern Art (New York, N.Y.),publisher.(CARDINAL)139062; San Francisco Museum of Modern Art,publisher.(CARDINAL)148219; Walker Art Center,organizer,publisher,host institution.(CARDINAL)150439;
Includes bibliographical references and index."A comprehensive survey of Abad's visually dazzling and politically prescient works blending fabric and painting. Edited by Victoria Sung, this volume surveys three decades of Pacita Abad's multifaceted practice. Published on the occasion of her first-ever retrospective, it includes new research and writing by Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Victoria Sung and Xiaoyu Weng, an edited oral history about the artist's life and work by Pio Abad and Victoria Sung, and never-before-seen artworks and archival materials." -- Artist website."Pacita Abad's painting is characterized by color, constant change and experimentation from the 1970s right up to her passing in 2004. Pacita's most extensive body of work is her vibrantly, colorful, trapunto paintings, mixed media painted textile collages and abstract assemblages. Many are very large canvases incorporating hand-stitched textiles, ribbons, sequins, beads, buttons, tin, mirrors and many other found objects the artist collected during her travels throughout Africa, Middle East, Asia and Latin America. During her 32-year career Pacita also created works on a complete range of other materials including paper, prints, bark cloth, metal, ceramics and glass. Just a few months before she passed away, Pacita painted a 55-meter long bridge in Singapore and covered it with 2,350 multicolored circles."-- Artist website:
Subjects: Exhibition catalogs.; Abad, Pacita; Art, American; Art, American; Art, Modern; Art, Modern; Asian American art; Asian American art; Asian American artists; Emigration and immigration in art.; Filipino American artists; Filipino American arts; Filipino American arts; Filipino diaspora; Painting, Modern; Painting, Modern; Politics in art.;
Available copies: 1 / Total copies: 1
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Candice Lin : seeping, rotting, resting, weeping / by Lin, Candice,artist.; Bryan-Wilson, Julia,contributor.(CARDINAL)856457; Byers, Dan,editor,writer of foreword,contributor.(CARDINAL)782936; Ceruti, Mary,writer of foreword.(CARDINAL)873278; Chen, Mel Y.,1969-contributor.(CARDINAL)873455; Porte, Liv,contributor.(CARDINAL)874034; Sung, Victoria,1987-contributor.(CARDINAL)784203; Carpenter Center for the Visual Arts,publisher,host institution.(CARDINAL)155273; Distributed Art Publishers,distributor.(CARDINAL)784868; Walker Art Center,publisher,host institution.(CARDINAL)150439;
Includes bibliographical references."Los Angeles-based artist Candice Lin (b. 1979) investigates the legacies of colonialism, racism, and sexism by mapping the trade routes and histories of a range of colonial goods. Co-organized by the Walker Art Center and the Carpenter Center for the Visual Arts at Harvard University, Candice Lin: Seeping, Rotting, Resting, Weeping is composed of a site-specific installation that responds to the space of the gallery at each institution, allowing the shape of the work to evolve over the course of its presentation. Anchored by a nomadic tent structure - simultaneously a temporary shelter and a quasi-religious temple - the exhibition includes hand-drawn and hand-printed indigo textiles, hand-built ceramic sculptures, plaster and concrete "tactile theaters", and a video animation that leads visitors through qigong breathing and movement exercises. Cats abound in the gallery space. From ceramic cats found curled up inside the tent to the video's animated cat demon, the exhibition proposes an animist worldview - one that asks us to shift our focus from the human to the more-than-human world. Ultimately, Lin encourages us to question our present, reenvision our futures, and embrace new ways of knowing the world"--Exhibition website
Subjects: Exhibition catalogs.; Lin, Candice; Animism in art; Art, American; Art, Modern; Colonization in art.; Imperialism in art.; Installations (Art);
Available copies: 1 / Total copies: 1
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Otherwise : imagining queer feminist art histories / by Jones, Amelia,editor,writer of introduction,contributor.; Silver, Erin,editor,contributor.; Doyle, Jennifer,contributor.; Katz, Jonathan D.,1958-contributor.; Latimer, Tirza True,contributor.; Bryan-Wilson, Julia,contributor.; Lord, Catherine,1949-contributor.; Bowen, Dore,1961-contributor.; Gaulke, Cheri,contributor.; Steiner, A. L.,1967-contributor.; Wolverton, Terry,contributor.; Boudry, Pauline,contributor.; Lorenz, Renate,contributor.; Davies, Jon,1980-contributor.; Leszkowicz, Paweł,contributor.; Aliaga, Juan Vicente,contributor.; Shaked, Nizan,contributor.; Roysdon, Emily,contributor.; Arakistain, Xabier,contributor.; Patel, Alpesh Kantilal,contributor.; Danbolt, Mathias,contributor.; González, Jennifer A.,contributor.; Takemoto, T. T.,contributor.; Davidow, Jackson,contributor.; Klein, Jennie,contributor.; Grey, Kris,contributor.; Newman, Lisa,contributor.; Davis, Vaginal,contributor.; Volcano, Del Lagrace,1957-contributor.; Johnson, Dominic,1980-contributor.; Logue, Deirdre,1964-contributor.; Mitchell, Allyson,contributor.; Reckitt, Helena,contributor.; Manchester University Press,publisher.;
Includes bibliographical references and index."Otherwise: Imagining queer feminist art histories" is the first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by offering a range of essays by key North American and European scholars, both emerging and renowned, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach.
Subjects: Feminism in art.; Feminism and art.; Queer theory.; Art; Queer theory.;
Available copies: 1 / Total copies: 1
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Faith Ringgold : American people / by Ringgold, Faith,artist.(CARDINAL)178143; Carrion-Murayari, Gary,editor.(CARDINAL)499374; Gioni, Massimiliano,editor.(CARDINAL)314447; Ringgold, Faith.Works.Selections.; New Museum (New York, N.Y.),host institution.(CARDINAL)135724;
Includes bibliographical references.Director's foreword / Lisa Phillips -- Hot from her soul; Faith Ringgold's art activism / Lucy R. Lippard -- Early works -- Murals on 57th Street / Mark Godfrey -- American people -- Faith / Amiri Baraka -- Black light -- The people's flag show / LeRonn P. Brooks -- Posters, for the women's house -- For a children's revolution / Julia Bryan-Wilson -- Feminist series, slave rape, windows of the wedding, dah, first story quilts -- Inside and outside the museum / Bridget R. Cooks -- Soft sculptures -- Summoning ancestors, inspiring descendants: Faith Ringgold and literature / Zoé Whitley -- The bitter nest -- In conversation: A retelling of Tar Beach / Jordan Casteel -- The fantastical alive / Tschabalala self -- The soft library of faith / Diedrick Brackens -- Tar Beach and New York quilts -- Dancing at the Louvre / Michele Wallace -- The French collection -- Opening doors: A conversation with Faith Ringgold / Massimiliano Gioni -- The American collection, coming to Jones Road part 2 -- Works in exhibition -- Artists biography -- Contributor biographies.Faith Ringgold is a critically acclaimed American artist whose unique methods of visual storytelling have documented and advanced art historical, feminist, and civil-rights movements for more than half a century. Accompanying a major retrospective at the New Museum, New York, this expansive survey covers work from all periods of her career, including her early civil rights-era figurative paintings, her graphic political protest posters, and her signature experimental story quilts. Exhibition: New Museum, New York, USA (17.02.-05.06.2022).
Subjects: Ringgold, Faith; African American women artists; Civil rights movements in art.;
Available copies: 0 / Total copies: 1
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