Search results for [Anonymous 4 (Musical group),singer.] at NC Cardinal

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Voices of light [sound recording] / by Einhorn, Richard,1952-composer.(CARDINAL)744866; Narucki, Susan,singer.; Pronk, Corrie,singer.; Hameleers, Frank,singer.; Heijnsbergen, Henk van,singer.; Mercurio, Steven,conductor.; Anonymous 4 (Musical group),singer.; Groot Omroepkoor,performer.; Radio Filharmonisch Orkest (Nederlandse Omroep Stichting),performer.;

Anonymous 4, vocals ; Susan Narucki, soprano ; Corrie Pronk, alto ; Frank Hameleers, tenor ; Henk van Heijnsbergen, bass-baritone ; Netherlands Radio Choir ; Netherlands Radio Philharmonic ; Steven Mercurio, conductor.Recorded at Music Center of the Netherlands Radio and Television, August 23-25, 1995.

Subjects: Oratorios.; Joan, of Arc, Saint, 1412-1431;

Available copies: 1 / Total copies: 1

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Testimony [sound recording] by Mason, Felicia.; Fernandez, Peter Jay.;

Performance by Peter Jay Fernandez.For eighteen years Roger McKenzie has led a gospel choir, The Tirumphant Voices of Praise. When the choir failed to win commercial and critical success, Roger's leadership is questioned and the group was threatened with personal problems. The singers look to themselves for strength and salvation for renewed vitality.Compact discs.

Subjects: Christian fiction.; Musical fiction.; Psychological fiction.; African American singers; Anonymous letters; Choirs (Music); Choral conductors; Gospel musicians;

Available copies: 2 / Total copies: 2

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Give my poor heart ease : voices of the Mississippi blues / by Dunbar, Scott.(CARDINAL)538978; Ferris, William R.(CARDINAL)163774; Gordon, Mary(Monk); Kizart, Lee,1902-(CARDINAL)606870; Louis, Joe(Poppa Rock); Love, Jasper.(CARDINAL)535904; Strickland, Napoleon.(CARDINAL)386153; Thomas, Isaac(Singer); Thomas, Son,1926-1993.(CARDINAL)743622; Williams, Arthur Lee.(CARDINAL)599631; Williams, Lovey.(CARDINAL)552606; Williams, Sonny Boy.(CARDINAL)652238; Chapman Family (Musical group)(CARDINAL)533062; Southland Hummingbirds (Musical group);

Includes bibliographical references (pages 259-269), discography (pages 269-284), filmography (pages 284-289) and index.CD contents. Why B.B. King sings the blues (Joe "Poppa Rock" Louis) (:35) -- Going down to the station (Sonny Boy Williams) (3:09) -- Going away blues (Lovey Williams) (2:38) -- So glad to be here (3:58) ; He's my rock, my sword, my shield (3:46) (The Chapman Family) -- Lazarus (inmates at Camp B, Parchman Penitentiary) (2:46) -- Hidden violence (anonymous) (1:02) -- Oh Rosie (inmates at Camp B, Parchman Penitentiary) (2:58) -- There are days (Southland Hummingbirds) (2:57) -- You shall be free (Mary Gordon) (1:26) -- You can't carry blues and go to church (James "Son Ford" Thomas) (:53) -- I got the world in a jug and the stopper in my hand (Lee Kizart) (2:35) -- It gives me ease (Jasper Love) (1:05) -- Highway 61 blues (James "Son Ford" Thomas) (2:51) -- It's so cold up north (Scott Dunbar) (3:41) -- Blues is round you every day (Arthur Lee Williams) (:34) -- Mystery train (train I ride) (Lovey Williams) (2:21) -- Somebody knocking on my door (Napoleon Strickland) (2:16) -- Jaybird (Scott Dunbar) (8:51) -- Boogie chillun (Lovey Williams) (1:49) -- One drop (Isaac Thomas) (2:20) -- Cairo blues (James "Son Ford" Thomas) (4:28).DVD contents. Black Delta. Pt. 1-2 -- Parchman Penitentiary -- Give my poor heart ease : Mississippi Delta bluesmen -- I ain't lyin' : folktales from Mississippi -- Made in Mississippi : Black folk art and crafts -- Two Black churches.CD contents recorded 1963-1974.

Subjects: Interviews.; Sound recordings.; Video recordings.; African Americans.; African Americans; Blues (Music); Blues (Music); Blues (Music); Blues (Music); Blues musicians; Blues musicians;

Available copies: 9 / Total copies: 9

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Give my poor heart ease [videorecording] : voices of the Mississippi blues / by Dunbar, Scott.(CARDINAL)538978; Ferris, William R.(CARDINAL)163774; Gordon, Mary,(Monk); Kizart, Lee,1902-(CARDINAL)606870; Louis, Joe,(Poppa Rock); Love, Jasper.(CARDINAL)535904; Strickland, Napoleon.(CARDINAL)386153; Thomas, Isaac,singer.; Williams, Arthur Lee.(CARDINAL)599631; Williams, Lovey.(CARDINAL)552606; Williams, Sonny Boy.(CARDINAL)652238; Chapman Family (Musical group)(CARDINAL)533062; Southland Hummingbirds (Musical group);

Includes bibliographical references (pages 259-269), discography (pages 269-284), filmography (pages 284-289) and index.CD contents. Why B.B. King sings the blues (Joe "Poppa Rock" Louis) (:35) -- Going down to the station (Sonny Boy Williams) (3:09) -- Going away blues (Lovey Williams) (2:38) -- So glad to be here (3:58) ; He's my rock, my sword, my shield (3:46) (The Chapman Family) -- Lazarus (inmates at Camp B, Parchman Penitentiary) (2:46) -- Hidden violence (anonymous) (1:02) -- Oh Rosie (inmates at Camp B, Parchman Penitentiary) (2:58) -- There are days (Southland Hummingbirds) (2:57) -- You shall be free (Mary Gordon) (1:26) -- You can't carry blues and go to church (James "Son Ford" Thomas) (:53) -- I got the world in a jug and the stopper in my hand (Lee Kizart) (2:35) -- It gives me ease (Jasper Love) (1:05) -- Highway 61 blues (James "Son Ford" Thomas) (2:51) -- It's so cold up north (Scott Dunbar) (3:41) -- Blues is round you every day (Arthur Lee Williams) (:34) -- Mystery train (train I ride) (Lovey Williams) (2:21) -- Somebody knocking on my door (Napoleon Strickland) (2:16) -- Jaybird (Scott Dunbar) (8:51) -- Boogie chillun (Lovey Williams) (1:49) -- One drop (Isaac Thomas) (2:20) -- Cairo blues (James "Son Ford" Thomas) (4:28).DVD contents. Black Delta. Pt. 1-2 -- Parchman Penitentiary -- Give my poor heart ease : Mississippi Delta bluesmen -- I ain't lyin' : folktales from Mississippi -- Made in Mississippi : Black folk art and crafts -- Two Black churches.CD contents recorded 1963-1974.

Subjects: Interviews.; Sound recordings.; Video recordings.; African Americans; Blues (Music); Blues (Music); Blues (Music); Blues musicians;

Available copies: 1 / Total copies: 1

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Everything will be alright in the end [sound recording] / by Weezer (Musical group)composer,performer.;

Produced by Ric Ocasek ; Recorded by Samuel Bell ; Additional Production and Engineering by Shawn Everett.Performed by Weezer (Brian Bell, Rivers Cuomo, Scott Sariner, Patrick Wilson) ; with instrumentalists and vocalists accompanying.Recorded at The Village, in Los Angeles, California ; Assistant Engineers: Chris Owens, Vanessa Wormer, Alex Williams.Mixed by Tom Lord-Alge at South Beach Studios, in Miami, Florida ; Assistant Engineer: Eddie Rendini.Mastered by Ted Jensen at Sterling Sound, in New York City, New York ; Studio Technicians: Doug Forsdick, Richie Mazzetta, Ren Massingill.Weezer has released a myriad of celebrated, chart-topping albums, since forming in 1992, selling over 13 million records worldwide. The band chose to deliberately dial down the tempo in 2010, a move Rivers Cuomo, singer and guitarist, says allowed him to write at a slower pace, giving the songs he wanted to use for an album time to gradually grow into their final forms. He started almost every song on the piano, eventually transferring them to the guitar before taking them to the band. When it came time to record the material, Weezer reunited with Ric Ocasek, the man who helped them make some of their most iconic album-length work; his exacting production, anchored as much in pummeling arena rock as new wave pop, polishes and preserves Cuomo's quirks, but it's also true that Rivers has decided to indulge in his eccentricities once again. Everything Will Be Alright In The End, which marks Weezer's ninth studio album, is a stand-out gem in the band's vast and varied catalog, a reflection of a much-loved band at their very best. Organized thematically around three groups of songs, it is an album that utilizes that sound from the band's earliest days to tell new stories in 2014, creating some of the finest, most heartfelt songs Weezer has ever recorded; with the dexterous syncopation providing a midpoint palate-cleanser and a neo-progressive rock suite concluding the proceedings. By having the record follow these twisty detours, Cuomo provides a counterpoint to the classic pop Weezer pursues elsewhere, but even such succinct and sculpted pop never feels like a desperate scramble back home. Rather, a feeling of acceptance underpins this album: a sense that Weezer made another record of massive, hooky rock because they know it's what they do best. -- Editorial Reviews taken and adapted from Amazon.com and Barnes And Noble websites.

Subjects: Alternative rock music.; Rock music;

Available copies: 4 / Total copies: 4

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